
Sky Is Filled with Stars Necklace
âThe sky is filled with stars, invisible by day.ââHenry Wadsworth Longfellow
This delicate yet modern necklace features the last line of one of Longfellowâs most famous poems, stamped on two slender pendants of 14-karat gold vermeil (each 0.25" x 1.5"). The chain is 18" long.
Longfellow wrote the poem, âMoritori Salutamas,â for the fiftieth anniversary of the Class of 1825 of Bowdoin College, his class. In October 1874, he was asked to write a poem for the event; he originally declined because he found the concept of commemoratory poems so distasteful. Ten days later, however, he noted in his diary that he had completed the poemâall 285 lines of it. Even more exceptionally, he read it at the anniversary to the audience at the church in Brunswick. He was grateful to be able to read the poem from the pulpit, commenting, âLet me cover myself as much as possible; I wish it might be entirely.â
The designer crafts her jewelry by hand in a solar-powered studio in Southern California. She casts each design from reclaimed metals in a clay mold using the ancient art of lost wax casting.
Original: $74.95
-65%$74.95
$26.23Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
âThe sky is filled with stars, invisible by day.ââHenry Wadsworth Longfellow
This delicate yet modern necklace features the last line of one of Longfellowâs most famous poems, stamped on two slender pendants of 14-karat gold vermeil (each 0.25" x 1.5"). The chain is 18" long.
Longfellow wrote the poem, âMoritori Salutamas,â for the fiftieth anniversary of the Class of 1825 of Bowdoin College, his class. In October 1874, he was asked to write a poem for the event; he originally declined because he found the concept of commemoratory poems so distasteful. Ten days later, however, he noted in his diary that he had completed the poemâall 285 lines of it. Even more exceptionally, he read it at the anniversary to the audience at the church in Brunswick. He was grateful to be able to read the poem from the pulpit, commenting, âLet me cover myself as much as possible; I wish it might be entirely.â
The designer crafts her jewelry by hand in a solar-powered studio in Southern California. She casts each design from reclaimed metals in a clay mold using the ancient art of lost wax casting.




